Vintage

xrayspx's picture

Antique Desk And Its Dazor Task Lamp

Music: 

This just made me unreasonably happy today, so I am gonna have to share it.

A couple of years ago we found an antique drafting table for pretty cheap money at a local shop, I think we maybe paid $200 or so for it. It had been used and taken very good care of for...80 years? Maybe more? It had a Kilroy on it. So we snatched it and replaced Natalie's less beautiful portable drafting table with it. It's a real monster, like 48" x 36", and great shape, well built, though it does have quite a twist to it. It'll last Natalie forever.

Since then, one problem she's had was getting an adequate task light. She had a plastic fluorescent arm-light, but it was nowhere near long enough to cover the new desk. And, you know face it, it looked like junk.

So the other day we were in another local consignment shop and I spotted a monster arm-light for $25. Natalie didn't like the look of the fact that it was fluorescent (will we be able to get bulbs...) and wasn't sure about the mount, since it didn't clamp, it looked like it screws to the desk. As is my way, I needled her for a couple days and let it work on her that she needed to check it out. No one's gonna stop making fluorescent bulbs, and even if they do, so we get an LED adapter, or just rewire it all the way to the plug for LED. Today she went back and grabbed it, and score, it was on sale, now $18.

We hadn't really looked at it, but turns out it's a Dazor from 1950. As we were trying to figure out how this was supposed to attach (none of the hardware was there), I figured we could get a couple of set screws with wingnuts and big ass washers, drill the desk (Natalie was not a fan), and just bolt it in.

So she started measuring up the distance between the screws, and found that they exactly matched the existing holes someone had already drilled in the desk. We were just re-uniting the drafting table with it's long-lost lamp!

The table top had to be turned around so the holes were at the back, so that was an hour well spent, but it all lined up and she dropped right in. Now it's at that point that I thought it was too cool and started writing this post. However, interesting bit of trivia, Dazor was founded by Harry Dazey, of the Dazey Churn and Manufacturing company in St. Louis. We happen to have a good-size collection of Dazey ice crushers, a can opener, and one of what's probably a small handful of portable stands that are left in existence. This makes Natalie super happy, because we've completed the Dazey set finally.

So here we are, desk, lamp, and ice crusher:

The thing that impresses me the most about this is that in the spare parts section on Dazor's site they list all the various switches and ballasts so you can repair your lamps. Not only are ours still fully in stock, but they've only got 7 listed switches and 5 ballasts, which I'm sure cover virtually every product they've ever made. Simplicity and rugged construction = happy customers forever.

Not only were these lamps built to outlive your granddad, and they did, obviously, but you can still get parts for 'em if they ever do let the magic smoke out! Right from the manufacturer. Try that with literally any other product, especially now. Man. I mean, I get that if you make a lamp, and that lamp lasts forever, then you never sell another one to that customer, and your company dies. But the other side of that coin is that you end up the standard in task lighting, forever, with multi-generational product loyalty.

We'll probably end up buying brand new Dazor lamps for spaces like our office workbench once it's built, and I fully expect them to last just as well as this one clearly has.

xrayspx's picture

Roadside America

Music: 

Natalie and I are on a kind of meta-road trip. We're not actually going to see The Thing, but we're seeing the roadside attractions which have sprung up around The Thing to amuse and draw in visitors.

Today we went to Roadside America, which is a massive O gauge model railroad layout. 6000 feet, assembled over 60 years of one Laurence Gieringer's life, from when he was 9 until he died.

Natalie took tons of photos, but I put up 3 short videos covering about 15% or so, along one short edge:

Mine, mountains, farms:

The zoo:

Midcentury Downtown:

xrayspx's picture

Twin Peaks Was Definitely In The Stargate Universe

Music: 

*** SPOILERS FOR BOTH STARGATE AND TWIN PEAKS (1990) ***

Natalie and I have watched all of Stargate from the movie through the last episode of SGU, having interleaved where appropriate so we were watching the different shows in the proper order with relation to each other (we did the same thing with all the Star Treks). We're just now watching Twin Peaks for the first time for either of us, because we'd always heard it was good, they're doing a new series, and because this is what we do. See also: Magnum, Miami Vice, Knight Rider, and any number of other 80s series we've gone all the way through.

Anyway.

We're on Season 2, Episode 2 and have decided that a joke we've been making for a couple of episodes must be true. Major Briggs is absolutely General Hammond's cover ID.

Evidence:

- He's the only "obvious" military personnel in the town, and doesn't work very far away. Any other ranking military would have non-military covers, like O'Neill and Carter have on the show, not to mention Murray. Regular enlisted are not permitted to leave the base, which could well be the case on Stargate. Uniformed military on Stargate is only shown off-base if there's some actual emergency.

- It's the only thing that makes certain characters make sense. Log lady's messages, etc. The fact that Deputy Andy can't conceptualize how "tape" works, he's clearly either a Goa'uld or is just a straight up alien like a human from Abydos or something.

- Just started writing this when General Hammond started his talk about the fact that part of his extremely top secret job involves monitoring other galaxies with radio telescopes. Which is both sort of Carter's cover and obviously they do monitor Ori, Pegasus and whatever galaxies the SGU ship has seeded with gates or whatever.

I can absolutely imagine General Hammond having this talk with some random townie. The Ori could definitely be talking to the Log Lady through her log.

I've found that other people have had threads on this topic over the years, and I have to say, I love that it took an entire movie + multi-show franchise years after the fact to make sense of Twin Peaks.

Of course, if The Giant is actually an Arquillian, or Mr Homm, that would make Star Trek or MiB also de-facto Stargate spin-offs, which I can probably defend if I had to. But the Stargate Universe theory fits so, so well it refuses to be ignored.

xrayspx's picture

1980s Nightmare Fuel

Music: 

A couple of our friends recently got two 1980s Jill dolls from Goodwill. The dolls spoke and moved, and were controlled by a proprietary multi-track cassette tape. The tape had the audio for the "conversation", and another track that controlled the movement.

The dolls they got didn't have tapes, but they were able to find one online. Here's the result. I strongly recommend using closed captioning on the first one.

Talking about a slumber party, remember to bring /your/ PJs too:

Man this is creepy:
...I just knew you would, we always have such a fun time at parties.

Wait! Cathy says she's going to wear some really wild pajamas (?). By the way, don't forget to bring /your/ PJs. And a teddy bear. We can't have a slumber party without a teddy bear. And bring a jhgfdlhg too. Cathy's not here yet, but I think we should go ahead and change into our pajamas anyhow. Afterall, this is a slumber party, not that we're actually going to sleep or anything. In fact, I think we should try and stay up all night long.

Was it Suzy or Steven?

Here's the commercial from back in the day, which I don't remember even a little:

I definitely wouldn't be able to sleep knowing that doll was in my house. I do wonder how hard it would be to rip out the proprietary tape and replace it with like an Arduino that feeds the audio tracks from WAV files or something. It looks like it has to seek the tape though because it reacts differently if you give a correct or incorrect answer, so that might be the nail in that idea.

Dave should have the tape drives running in tip-top shape soon enough, though I like the creepiness of these pre-tuneup runs more.

xrayspx's picture

Thermometer Quiz

Music: 

Why do you figure we have four thermometers?

Click For More! The answer will shock you!

xrayspx's picture

Kitchen Designs

Music: 

Van Halen - Panama

As anyone who reads Natalie's site, or who has been around either of us for more than five minutes in the last six months will know, we've been in the middle of a kitchen renovation for...way, way too long now. Since I did the actual layout design (twice) Natalie asked that I write up how that process went and how we progressed from the original layout, through to what we've got now.

The original kitchen layout was less than ideal in many key ways. It was basically a galley kitchen which acted as a footpath from a hallway at one end where there was an external door, a restroom, and our living room through to the dining room and the main part of the house (office, library, bedrooms). This split the workflow of the kitchen between the "sink side" where the doors were and the "stove side". In amongst that were afterthoughts like "oh hey someone should put a fridge here" or "who wants a laundromat?". It wasn't great.

One of the biggest problems was that these two opposing doors weren't lined up. The dining room side door was a good 30" from the wall, which gave enough space for the countertop, even though the end of the counter did intrude into the door trim an inch or so. The other door however was maybe 20" or so from the wall, meaning that if you ran countertop right to the end of the room, you'd be intruding 5" or so into the door opening.

This is illustrated in this rough sketch of the beginning state and a couple of photos:

Since my imagination is limited, I originally planned our new layout based on the layout as we had it here. This means that to get to the (newly finished) breakfast and laundry area one would go out that hallway-side door, then out what used to be the exterior door into what used to be the porch to eat breakfast or wash clothes.

Thus the new design ended up looking like this, around three walls, with the left-hand side wall still being entirely blank, since there was a fridge and doorway there. We figured we'd put posters there like we had in the past:

Sink Side (top of the above image):

Dining Room Side:

"Stove Side":

You get a sense for how conventional my thinking was, to the point of comically over-engineering to try and shoehorn as much crap as we could in the same space. The awkward doorway was rather elegantly handled by the fact that that tall-ass broom closet (21" wide full-height cabinet in the diagram) is only 15" deep, so it would give nearly two feet between the door and where that lazy susan, with its 45 degree angled door would "guide" you into the room, helpfully saving the reproductive organs of any guy who staggers through that door without really looking.

But what a mess. Take the refrigerator. We knew that any fridge we bought in the Shiny New Future was going to be much wider than the 29.5" GE Home Depot special we had, so I had to plan for that with spacers that could be removed, or custom cabinetry that could be ripped out when we bought a new one. And all the cramming in of bookshelf space wherever we could fit it. And that half-height cabinet above the fridge slammed all the way to the ceiling, ugh. It was just forced.

At some point around the fourth or fifth sink we decided on, I could no longer shoehorn it into this design. We were wavering between a fully integrated Elkay with a built in steel backsplash and countertop, and the one we ultimately got, which is a more conventional, but still huge (FIFTY FOUR INCHES FUCK YEAH!) drop-in with left and right side drainboards. This simply blew my model all to hell. I spent a few days in Omnigraffle screwing around to make space for that full-countertop monster. At a basic level the problem was that the full steel countertop sink had to line up directly to the edge of a Youngstown cabinet on both sides, since it couldn't really overhang them. Everything under that sink would then need to be custom carpentry.

I had to find a third way. So I completely changed my outlook. That doorway is annoying me and is going to cause me to lose a testicle? GET RID OF THE DOORWAY. We're taking the thing down to studs anyway. Put the fridge there, where it will be convenient and out of the way. Let's make a huge (45 inch) entryway from that breakfast area, which will also let light flood in from the massive window out there.

So what we ended up with is a far superior layout both for foot traffic flow, and for kitchen workflow. We changed the layout from a "Galley" style kitchen to a more traditional 3-sided model with entrances to the breakfast area on one side and the dining room on the other. It adds a slight zig-zag to get to the living room & restroom, but it's really, really minimal.

That plan looks more like this, with the walls in the same order, starting at what used to be the sink area.

Here's the top-down:

Dining-room facing:

Sink wall:

As you can see, we /did/ save the front of that sink:

Stove wall:

As you can see from the photos, our contractor and his subs have done a phenomenal job of executing this design. It's exactly as we envisioned it from day one, and we couldn't be happier with their work. Stay tuned for the "Complete" complete photos which I'm sure will be coming shortly on Natalie's site.

Throughout this process Natalie and I have had slightly different goals. She wants the Ultimate Vintage Kitchen, which, I think we can all agree on, has been achieved. I wanted to see how close I could get to having a professional quality and ergonomically correct and functional space. I think we've ultimately achieved that as well with an industrial quality sink and faucet fixture, but which fit perfectly into the retro aesthetic we wanted. It just took a mental break on my part to force the pieces together.

If anyone needs them, I'll update when I've posted the set of Omnigraffle stencils I whacked up to fit all this stuff together. They are proportionally correct to each other, and there are some in the stencils which didn't ultimately make it into the room, since they are "cabinets we own", but we just couldn't jam any more crap in there :-) If anyone can figure out a good way to represent these crazy corner cabinets and lazy susans in 2D I would very much appreciate your input. It's not like I live with a goddamn graphic designer or anything.

Subscribe to RSS - Vintage